Also Read: Baseball Names and How They Got That Way! (Parts I - V) Part VI (A&B) Part VII (C) Part VIII (W&Y) Part IX (D) Part X (M) Part XI (more, C) Part XII (E) Part XIII (F) Part XV (H) Part XVI Part XVII (J&K) Part XVIII (I) Part XIX (M) Part XX (N) Part XXI (O) Part XXII (P) Part XXIII (R) Part XXV (S, part 2)
Baseball Names and How They Got That
Way! - - S (Part
I) |
Sad Sam
Jones
The former
pitcher earned the nickname "Sad Sam" or "Sad Sam the Cemetery Man," for
his somber
demeanor,
SAFETY Base hit, single.
SAFETY
SQUEEZE takes place when the runner waits to see how effective the bunt
is.
"Sailor Bob"
Bob
Shawkey spent most of 1918 in the
Navy as a yeoman petty officer aboard the battleship
Arkansas.
ST. LOUIS CARDINALS
Originally, during the Gay Nineties, the St. Louis National
League baseball entry was known as the Browns. Then they were known as the
Perfectos. That was a misnomer, for in the years 1892-99 they finished 12th
three times, 11th three times, tenth once, ninth once, and eighth once. In
1899 their owner, Chris Von Der Ahe, decided that perhaps a new look in uniforms
might help. The team was outfitted in flashy new fabric accentuated with
red trim and red stockings. From the new look came the new nameThe
Cardinals.
San
Diego
Padres
For
the Spanish word for priest, inspired by the
padres of the Roman Catholic Mission
San Diego de Alcala.
Sanitaries
Athletic hose.
"Satchel" The immortal pitcher
Leroy Paige received his nickname when he was seven years old. Back then
he carried passengers' small
bags, known as satchels, at the local railroad station in his hometown of
Mobile,
Alabama.
Paige
was a long-time star in the Negro Leagues - there are estimates that he pitched
for 33 years and won more than 2,000 games. Traveling all over the world
to play baseball - by car, by bus, by train, some day also by horse and carriage
- wherever there was a game the lanky hurler was there. His nick-name came
from the fact that most of those years he lived out of his "satchel" or suitcase.
Paige was proud of his nick-name and even wore it on his uniform.
A bone-thin 6'3" with size 12 flat feet, he billed himself
as "The World's Greatest Pitcher." Paige claimed that his real secret of
success stemmed from the fact that "even though I got old, my arm stayed
19." He was vigorously opposed to exercise. "I believe in training," he joked,
"by rising up and down gently from the bench." Paige's rules for successful
living were: 1-Avoid fried meats which angry up the blood. 2-If your stomach
disputes you, lie down and pacify it with cool thoughts. 3-Keep your juices
flowing by jangling around gently as you move. 4-Go very gently on the vices
such as carrying on in society - the social ramble ain't restful. 5-Avoid
running at all times. 6-Don't look back, something might be gaining on you.
Through all the long and difficult years in the Negro Leagues, Paige Hungered
for a shot at the majors. The Cleveland Indians needed extra pitching and
their owner Bill Veeck was interested in Paige. As the story goes, Veeck
wanted to test Paige's control before signing him to a contract. Allegedly
Veeck placed a cigarette on the ground - a simulation of home plate. Paige
took aim. Five fastballs were fired -all but one sailed directly over the
cigarette. Paige got his contract!
On July 9, 1948, Leroy Robert Paige arrived on the major
league baseball scene as a rookie pitcher for the Cleveland Indians. He gave
his official age as "42???" to owner Bill Veeck. His exact age was always
clouded in mystery and rarely did he answer questions about it. And when
he did, he quipped: "Age is a question of mind over matter. If you don't
mind, it doesn't matter But he definitely was the oldest rookie ever to play
in the majors.
On 1948, Satchel won six games lost only one, compiled
a fine 2.48 earned run average and helped pitch the Indians to the pennant
and World Series victory that year. Three years later Veeck was re-united
with Paige this time with the St. Louis Browns. Satchel passed the time away
relaxing in his own personal rocking chair in the bullpen when he was not
pitching. There were appearances in the All-Star games of 1952 and 1953.
And then he was done - for a time.
In 1965, a year that would have made him 59 years old
based on his "official birthday" ( July 7, 1906 Mobile, Alabama) - he pitched
three shutout innings for the Kansas City Athletics to become the oldest
man to pitch in a major league game. It was the last time he took the mound.
In 1971, on what he called the proudest day of his life, Leroy "Satchel"
Paige was elected to the National Baseball Hall of Fame. He was the first
player ever elected from the Negro Leagues.
Satchel Paige passed away on June 8, 1982 in Kansas City,
Missouri. But stories of what he said and did have grown through the years,
as the man has become both a myth and a legend. It is like the big fish story
- the size of the fish caught grows bigger each time the teller of the tale
speaks.
Nevertheless, Paige had the right stuff, hyperbole
notwithstanding.
Satchel reportedly began his professional career in 1926
and was an immediate gate attraction with his dazzling variety of pitches,
and words for every occasion. He played baseball year round, often pitching
two games a day in two different cities in the Negro Leagues.
Joining the Pittsburgh Crawfords during the early 1930's,
Satch was 32-7 and 31-4 in 1932 and 1933, respectively. But his time with
the team was always interrupted by salary disputes. In those instances, Paige
would go on barnstorming gigs for more money and compete against all levels
of competition including top major league players.
He played in the Dominican Republic and then Mexico,
where he developed a sore arm. In 1938, he signed with the Kansas City Monarchs
and his arm was better than ever.
With the Monarchs, Paige had his complete pitching arsenal
on display. He had a wide breaking curve ball, and his famous "hesitation
pitch" that came out of a windup that looked like slow motion. He also had
a "bee-ball," a "jump-ball," a "trouble-ball," a "long-ball" and other pitches
without names that he made up as he went along.
Satchel pitched the Monarchs to four-straight Negro American
League pennants (1939-42), accentuated by a clean sweep of the powerful Homestead
Grays in the 1942 Negro League World Series. Satchel won three of the games
in that series. In 1946, he helped pitch the Monarchs to their fifth pennant
during his time with the team. Satchel also pitched in five East-West Black
All-Star games.
In his time he graced, and dressed up, the rosters of
the Birmingham Black Barons, the Baltimore Black Sox, the Cleveland Cubs,
the Pittsburgh Crawfords, the Kansas City Monarchs, the New York Black Yankees,
the Memphis Red Sox, and the Philadelphia
Stars.
His career spanned five decades. In his time he was acknowledged as
the greatest pitcher in the history of the Negro Leagues. It was a time when
he had a string of 64 consecutive scoreless innings, and a stretch of 21
straight wins.
It was also a time when some saw Paige bring his outfielders
in and have them sit behind the mound while he proceeded to strike out the
side, and when some commented on how he intentionally walked the bases loaded
so that he could pitch to Josh Gibson, black baseball's best hitter.
It was a time when there were the
"out-of-thin-air-you-had-to-be-there-" stories: Paige and his habit of striking
out the first nine batters he faced in exhibition games; Paige and his firing
twenty straight pitches across a chewing gum wrapper - a very mini-home plate;
Paige throwing so hard that the ball disappeared before it reached the catcher's
mitt.
The man they called "World's Greatest Pitcher" had a
lot to say about his craft.
"I never threw an illegal pitch. The trouble is, once
in a while I would toss one that ain't never been seen by this generation.
Just take the ball and throw it where you want to. Throw strikes. Home plate
don't move."
"They said I was the greatest pitcher they ever saw...I
couldn't understand why they couldn't give me no justice."
Joe DiMaggio called him "the best and fastest pitcher
I've ever faced."
SAVE
Credit given to relief pitcher for protecting team's
victory.
SAY
HEY Both a greeting
and a nicknameand also a conditionthis term belonged to Willie
Mays. Regarded by many as the greatest player baseball has ever known (and
in 1979, voted into the Hall of Fame), Mays pounded 660 homers and over 3,000
hits (better than a hit a game), scored over 2,000 runs, drew nearly 1,500
walks, drove in nearly 2,000 runs, and compiled a lifetime batting average
of .302. The image of Mays in
a Giants uniform stealing a base, hitting the ball out of the park, racing
back to make a sensational catch running out from under his capall
underscore the verve of the man they called the Say Hey Kid. (Say Hey
Kid)
Willie Howard
Mays was born on May 6, 1931 in Westfield, Alabama. The New York Giants called
him up on the 15th of May in 1951 from Minneapolis in the American Association.
He was bating .477 after 35 games.
Garry Schumacher, publicist for the Giants at that time,
recalled the first time he ever saw Mays. The Giants were on their
way from Chicago to Philadelphia to conclude the last three games of a road
trip, Schumacher said. I was by the front door of the Giants
office on Times Square. Suddenly, this kid comes in. There were always a
lot of kids coming around; some of them wanted tickets and some wanted tryouts.
He was carrying a few bats in one hand and a bag in the other that contained
his glove and spikes. He was wearing the most unusual cap I ever saw, plaid
colored. When I found out who he was, we bought him some clothes and then
sent him to Philadelphia to join the club. He was wearing the new clothes
when he left, but funny thing - he refused to take off that funny cap.
He made his major league debut with the Giants on May
25, 1951. But his start in the majors after just 116 minor leagues games
was a shaky one. He was hitless in his first 12 at-bats, cried in the dugout
and said, "I am not ready for this". He begged manager Leo Durocher to send
him back down to the minors.
But Leo the Lip refused to listen to the
pleas of the rookie center fielder just as another Giant manager John J.
McGraw had refused to send a youthful Mel Ott to the minors.
"You're my center fielder as long as I am the manager
of this team," Durocher said. "You're the best center fielder I have ever
seen."
Mays first home run was off the great Warren Spahn.
He hit it over the roof of the Polo Grounds.
"We had a meeting of the pitchers," Spahn recalls. "We
knew Mays was having trouble. I'll never forgive myself. We might have gotten
rid of Willie forever if I'd only struck him out."
In Pittsburgh's old Forbes Field, Rocky Nelson blasted
a drive 457 feet to deep dead center. Galloping back, Mays realized as his
feet hit the warning track that the ball was hooking to his right side. The
ball was sinking and Mays could not reach across his body to glove the drive.
So just as the ball got to his level, Mays stuck out his bare hand and made
the catch. It was an incredible feat.
Durocher told all the Giants to give Mays the silent
treatment when he returned to the dugout. But Pittsburgh's General Manager
Branch Ricky sent the Giant rookie a hastily written note: "That was the
finest catch I have ever seen ... and the finest I ever expect to see".
There is that catch and so many others. There are also
the images of Mays playing stickball in the streets of Harlem with neighborhood
kids, running out from under his cap pursuing a fly ball, pounding one of
his 660 career home runs, playing the game with a verve, a gusto, and an
attitude that awed those who were around him.
"Willie could do everything from the day he joined the
Giants," Durocher recalled.
"Everybody loved him," notes his former teammate Monte
Irvin. "He was a rare talent. Having him on your team playing center field
gave us confidence. We figured that if a ball stayed in the park, he could
catch it."
Mays was The Natural. He led the NL in slugging percentage
five times. He won the home run crown four times. Twice, he won the NL MVP
Award. "He lit up a room when he came in," Durocher
said.
The superstar of superstars, the man they called the
"Say Hey Kid" was on the scene for 22 major-league seasons. He is all over
the record book and in the memory of so many baseball
fans.
"SAY
IT AIN'T SO, JOE"
This often-repeated
question, used frequently in song and story, had its origins in the emotions
of a little boy. After the 1919 Chicago "Black Sox" World Series scandal,
a lad walked up to Shoeless
Joe Jackson, one of the accused players. The boy posed the above question
to his idol (see BLACK SOX and SHOELESS JOE).
SCATTER THE HITS
The yielding of a good number of hits by a pitcher that are spaced
over several innings to hamper opposition scoring.
"Schnozz"
("Bocci") His given name was Ernesto Natali Lombardi,
but all knew him as.
Ernie.
The Hall of Fame catcher
had a big nose and liked to play
bocci.
"Schoolboy Wonder"
Waite Hoyt made his major league debut in 1918 when he
was a teenager. He struck out two of the three batters he
faced.
SCOOTER,
THE Phil Rizzuto
pedaled about at shortstop for 13 years as a member of the New York Yankees.
His small stature (5'6", 150 pounds) and his agile ways in the field earned
him his nickname coined by Mel Allen the first time he saw the little man
run he said, "Man, youre not running, your
scootin'." (see "HOLY
COW" ).
SCORE
The amount of runs each team achieves or is achieving at a given moment in
a game. To drive in a run. To cross the plate and tally a
run.
SCOREBOARD
A highly visible board, generally beyond the outfield, that gives information
about the score, the batting orders, the pitchers, other games in progress,
or scheduled coming events.
SCORECARD
A program purchased
at ballpark by fans, who use it to keep score of the game in
progress.
SCORING
POSITION Location on the bases (generally second or third) from which a player
can score on a hit or a fly ball.
Scrap iron
Former Houston player and current
manager, Phil Garner, for his feisty ways.
SCRATCH FOR RUNS
To have difficulty in scoring.
SCRATCH
HIT A questionable
hit that barely enables a runner to reach base safely.
SCREEN
A wire barrier
covering the area in the stands behind home plate to prevent fans from being
hit by foul balls.
SCREWBALL
A seemingly
straight pitch which unexpectedly swerves to the right (when thrown by a
right-handed pitcher) or to the left (when thrown by a left-handed pitcher)
(SCROOGIE).
Seattle Mariners
The
franchise name reflects the nautical heritage of Washington
State.
SECOND
BASE The base
midway between first base and third base and lined up with home plate
(SECOND).
SECOND
BASEMAN A fielder positioned, as a rule, to the right of second base. This
player is a key man in double plays and in covering the area around his position
and between first and second base.
"Second Place Joe"
Joe
McCarthy's three straight second-place finishes prompted the nickname before
the Yanks won four consecutive world championships, 936-39. The name
was
also used when he was manager of the Cubs and had some
disappointing second place finishes.
Setup
man A relief
pitcher who is consistently used immediately before the closer.
Set the table
Get
on base before more powerful batters.
Senator
Steve Garvey projected his Mr. Clean image to the nation in a TV interview
before the 1974 World Series when he explained
that his nickname, Senator,
referred to his post-baseball political aspirations.
In 2011, Harvey Frommer will be in his 36th year of writing sports books. A noted oral historian and sports journalist, the author of 40 sports books including the classics: "New York City Baseball,1947-1957" and "Shoeless Joe and Ragtime Baseball," his acclaimed REMEMBERING YANKEE STADIUM, an oral/narrative history was published in 2008 as well as a reprint version of his classic "Shoeless Joe and Ragtime Baseball." Frommer's newest work REMEMBERING FENWAY PARK: AN ORAL AND NARRATIVE HISTORY OF THE HOME OF RED SOX NATION (Abrams) is set for March 2011.
Frommer sports books are available direct from the author - discounted and autographed.
FROMMER SPORTSNET (syndicated) reaches a
readership in the millions and is housed on Internet search engines for extended
periods of
time.
FOLLOW Harvey on Twitter: http://twitter.com/south2nd Web: http://www.dartmouth.edu/~frommer
Also read:
Herb Rogoff's
ONEMOREINNING